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April 2019: “Trust & Believe” Call For Submissions

“The best way to find out if you can trust somebody is to trust them.”
– Ernest Hemingway

Share your original flash fiction, non-fiction, or poetry piece that fits our theme by Sunday, April 28 for a chance to be included in our publications that following week.

Be sure to send in your work via our Submissions page!

Here’s a word list to prompt some inspiration – try writing a 250 word description or stream of consciousness for each one, then go back and expand on an idea that stands out to you the most:

The Faith
The Confidence
The Hope
The Consideration
The Speculation

Featured

Time For Reaping

by Tianna G. Hansen

You spend time planting each seed delicately. Cup the earth around each pearl so it flourishes. Nourish and take care until you feel them blossom and burst forth blooms of brilliant color. Saplings respond to the way the moon moves, just as your body sways with tides of dappled waves. Stars drip from the sky like icicles. You are not destroyed; it is time to harvest. Reap what you have taken time to sow. Healing is a solo act. No one can witness the seed spread beneath the ground, only the moment it presses its softness through the surface toward the sun.

Open your mouth wide, consume rays which reach down to touch; feel the curl of grasping fingers. Roots have grown deep in the pit of your belly. Feel them sink deeper, embrace your bones. Climb through your ribcage like ivy in a warm, constricting hug. When it comes time, devour your harvest whole. Weep the juices, flush your system, and cleanse your body’s deepest grottos. Daybreak radiates each eclipse, soil moist and ready for the next planting — your newest cultivation.


Tianna G. Hansen has been writing her whole life. Her fiction, poetry, and creative non-fiction have found homes in numerous mags, and she releasing her debut poetry collection ‘undone, still whole’ with APEP Publications this Beltane. She founded and is Editor-in-Chief of Rhythm & Bones Press/Lit Mag. Follow her work on Twitter @tiannag92 / IG @tgghansen24 / FB @tiannaghansen. More at CreativeTianna.com.

There Was Time

by Mwangi Ichung’wa

The clock is loud in the small room. It sounds like a stopwatch – tik tik tik tik tik tik tik tik tik tik – an infernal countdown to who knows what. The people who were to come here are late. The people waiting to meet them are getting anxious. They are a man and a woman, both tall and thin. The woman is lighting her third cigarette in ten minutes as she tells the man, her hands waving about, that this may not have been the best idea. Tendrils of grey cigarette smoke, wispy things, float about.

Tik tik tik tik tik tik tik tik tik tik

There is a knock on the door. The man and woman who are not a couple exchange a glance. The cigarette hangs loose from the left corner of her mouth. The smoke curls straight up into the ceiling. The people they were to meet are here. The man heads for the door. The woman can hear her heartbeat over the clock. The sounds are not in time with each other. One beats too fast, she cannot tell which. She crushes the cigarette in a wooden ashtray.

Tik tik tik tik tik tik tik tik tik tik

The silence is heavy as the parties mull over a slight change in plan. There are now six people in the room. Three of them are smoking and no one has thought of opening a window. There has been a problem. One of the things the four new people in the room were to bring wasn’t available. The man and the woman cannot leave this place without it. The four people cannot leave without what the man and the woman have brought themselves. They also have guns.

Tik tik tik tik tik tik tik tik tik tik

The clock is loud in the small room; counting down the time it takes for breath to escape the crumpled bodies on the dusty carpet. Butts smoulder in the wooden ashtray, the upward spiraling tendrils growing less dense as fire slowly dies. There is a low sound, like a cough, as the last soul exits its host. Outside the light changes as the sun sets, lighting the room a fiery orange. Stark shadows of what was are drawn across the surfaces and in the stillness, disrespectful and insolent, the clock goes tik tik tik tik tik tik tik tik tik tik.


Mwangi Ichung’wa is a Kenyan writer of “transgressive” fiction. Currently writing for an ad agency to pay the bills.